A multi-media installation commenting on the propagandist applications of the image in a capitalist society and the overwhelming white noise of this photographic assault, referencing the work of political photomontage artists such as Peter Kennard, Martha Rosler and John Heartfield.
Presented on discarded and obsolete television sets, it references our submission to branded consumerism in order to demonstrate our ability to spend, and our collusion with manufacturers to contaminate the lives and lands of the people who dismantle the commodities we no longer desire.
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